photo by Matthijs Rouw @ flickr.com
For a period of years, I exchanged letters with a boy. He was smart, and I felt flattered by his long-distance attention. I loved the way his words looked on the page, and after devouring the content of his letters, I would stare at his penmanship. His handwriting was distinctive; long, thin strokes in the “T’s” and “L’s”; his vowels undersized, tiny and tight. Very controlled. My “P’s” and “L’s” wanted to loop. My vowels were large and open, like my heart.
During this period, I focused on composing the best letters I could. I explained – dissected – deconstructed and reconstructed the world for him in an attempt to get him to see things through my eyes. I showed him the beauty of the cigarette butt left on the filthy street corner, and wondered about the woman with the orange-red lipstick who had held it in her mouth. I addressed my envelopes, licked my stamps, sent my poetry and prose. And since there was neither instant messaging nor Skype nor Facebook nor email in the 1980s, I had to wait . . . and wait. . . and wait for the postal carrier to (finally) bring me a long anticipated envelope. And always his responses were wonderful: filled with answers and more questions, more observations which led to more thinking, reflecting, writing.
Through our correspondence, I fell in love. With words. I learned how, in English, multi-syllabic words have a way of softening the impact of language, how they can show compassion, tenderness and tranquility. Conversely, I learned that single-syllable words could show rigidity, honesty, toughness, relentlessness. I saw how words could invoke anger, sadness, lust, and joy. As an adult, when speaking, I sometimes feel like I did not say quite the right thing. But when writing, I have time to be careful, to ponder, to find a new way to say something old. I can craft something magical.
I have always said that the best writing is born in obsession, rooted in a specific place.
My favorite word is “apricot” because it invokes a specific sense of smell, of taste and touch – but for me, it also reminds me of a particular morning in a particular place when the sun rose and made the world glow. It is a juicy word. A sweet word. A golden word scented with summer. I use the word “apricot” to show my students how one image can hold a lot of weight.
Some day I will thank that boy who made me want to revise, who made me want to give him only my best, most delicious words, my most ferocious images. Wherever he is, I hope he is still writing, too.
If you are so inclined, I would love to know if you have a favorite/least favorite word, what it is, and what it evokes for you.